Back again to Millennium Film Workshop for the Index Festival's Colo(u)r Sound Culture Mash Up, with works by Geoff Pugen, Jeremy Rotsztain, Collin McKelvey and Kelly Lynn Jones, Liz Wendelbo, Dana Bell, Alyssa Taylor Wendt, Michael Robinson, Tom Ruth, Sadek Bazaraa, Jon Santos, Katherine Bauer, Optipus, Kenneth Zoran Curwood.
The mixing and correlating of the senses is known as "synesthesia," where the sounds of colors are experienced (although it may take the form of other combination of the senses). The notion of these correlations has been intriguing for its aesthetic potential to a great many artists. James Huneker wrote of "Painted Music" (1919), which included Whistler's "symphonic" works on canvas, and of hearing unsung music while viewing the works of Renaissance painters. The color organ, which was used to perform the colors of music, is chronicled by William Moritz in "The Dream of Color Music, And Machines That Made it Possible" (and I've even built a little lightplay machine for expanded cinema performances).
The films of Kenneth Zoran Curwood and Kat Bauer were among the more notable of the evening, which also included two remarkable expanded cinema performances: Dana Bell's dance piece "A Delicate Balance" with live music and projections, and "Spectrum" by the art collective Optipus, with 16mm, 8mm, slides, and live sound (music and Foley effects). Some photos: